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Titiaan (Tiziano Vecellio) 1488/1490-1576 (°Pieve di Cadore, Italië) --- Schilderkunst ; Italië ; 16de eeuw ; Titiaan --- Schilderkunst ; Italië ; Renaissance --- Renaissance ; Venetië --- 75.07 --- Eu-ital 737.2 --- Kunst --- Schilderkunst --- Titiaan --- Schilderkunst ; schilders --- Art --- renaissance schilderkunst --- Titian
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Titian --- Painting --- Edited by Susanna Biadene ; assisted by Mary Yakush --- kunst --- zestiende eeuw --- schilderkunst --- Titiaan --- Titiaan (Tiziano Vecellio) 1488/1490-1576 (° Pieve di Cadore, Italië) --- Italië --- 75.071 TITIAAN --- Schilderkunst ; Italië ; 16de eeuw ; Titiaan --- Schilderkunst ; Italië ; Renaissance --- Renaissance ; Venetië --- 75.07 --- Schilderkunst ; schilders --- Titiaan (Tiziano Vecellio) 1488/1490-1576 (°Pieve di Cadore, Italië) --- Titian, --- Ticijan, --- Titiano Vecellio, --- Titianus, --- Titien, --- Tit︠s︡ian, --- Tizian, --- Tiziano, --- Tiziano Vecelli, --- Tycjan, --- Vecelli, Tiziano, --- Vecellio, Tiziano, --- Vechellio, Tit︠s︡iano, --- Exhibitions. --- Titien --- Tizian --- di Gregorio Vecellio, Tiziano
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At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian's touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman's grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian's art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian's touch.
Aesthetics of art --- Painting --- biography [genre] --- Titian --- anno 1400-1499 --- anno 1500-1599 --- Titian, --- Painting, Renaissance --- 75.07 --- Titiaan (Tiziano Vecellio) 1488/1490-1576 (°Pieve di Cadore, Italië) --- Renaissance ; Italië ; cinquecento --- Schilderkunst ; Italië ; 16de eeuw ; Titiaan --- Schilderkunst ; schilders --- biography [general genre] --- receptiegeschiedenis
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modeltekenen --- Titian --- Catalogues d'expositions --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Titiaan --- Titien --- Venus (Roman deity) --- Painting, Renaissance --- Vénus (Divinité romaine) --- Peinture de la Renaissance --- Art --- Titian, --- Female nude in art --- Academic collection --- Schilderkunst ; Italië ; 16de eeuw ; Titiaan --- Schilderkunst ; Italië ; Renaissance --- Renaissance ; Venetië --- Thema's in de schilderkunst ; Venus --- Titiaan ; Venus van Urbino ; inspiratie en invloeden --- Tentoonstellingscatalogi ; Brussel ; Paleis voor Schone Kunsten --- Europalia 2003 ; Italië --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Exhibitions --- Vénus (Divinité romaine) --- Nude in art --- Venus --- Art. --- Titiaan (Tiziano Vecellio) 1488/1490-1576 (°Pieve di Cadore, Italië) --- Venus [Mythological character] --- Female nude in art - Exhibitions --- Titian, - approximately 1488-1576 --- Venus (divinite romaine) --- Femmes --- Titian (ca. 1488-1576) --- Nu dans l'art --- Dans l'art --- Expositions --- Venus d'urbino
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